El futuro es nuestro is a sci-fi drama set in 2047, where a South American eco-regime faces turmoil as preacher Jonás Flores rises as a prophetic rebel leader, forcing officer Hugo Crussi to stop him before his vision becomes reality.

Twin Latino filmmakers journey over 8,000 miles to present a nuanced look at the promise, and the problems, of one of America's most marginalized yet powerful communities - the 23 million Latinos who are U.S. citizens, and eligible to vote in local and national elections.

On a gloomy Monday morning, my week begins. Although I (Bakarhythm) am sleepy, I put on my make-up and I leave home for work at a bank. I take the subway filled with passengers and get off on the nearest subway station from work. I meet Maki Fujikawa (Kaho) at that subway station. She is my closest colleague at work. While talking with each other, we get to our workplace.

Based on the documentary "Our Brand Is Crisis", this feature focuses on the use of American political campaign strategies in South America.

Pauline, a devoted and generous home help nurse, raises her two children alone, while also looking after her father, a former steelworker. Taking advantage of her popularity, the directors of an extremist political party suggest she become their candidate at the mayoral elections.

A sequel to the popular movie, Beverly Hills Christmas that was shown on UP TV during Christmas 2015 to more than 70 million viewers.

A sequel to the popular movie, Beverly Hills Christmas that was shown on UP TV during Christmas 2015 to more than 70 million viewers.

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The play takes place in Dennis Ziegler's apartment on the Upper West Side of Manhattan in March 1982. Dennis's friend Warren Straub, a dejected 19-year-old, has just been kicked out of his house and stolen $15,000 from his abusive lingerie-tycoon father. Dennis, the more wily and domineering of the two, spends some of the money on cocaine, hoping to sell it to a friend for much more. Jessica Goldman, an "anxiously insightful" fashion student, comes over and Warren hopes that he can use the money to entice her into bed. The play explores timeless issues of adolescence and maturity, as well as the Reagan Era in which it is set: the characters feel adrift in 1980s-style materialism.

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